Recognition from Hollywood’s halls of prestige don’t validate Murphy’s career in the slightest, but a Golden Globe nomination for his work in Dolemite Is My Name and an Emmy for his appearance on Saturday Night Live-and, above all, good work-weren’t bad ways to start the latest era of Eddie Murphy. Not long after Dolemite Is My Name hit Netflix in 2019, Murphy hosted Saturday Night Live for the first time since he left to be a full-time movie star. But his return to form, in terms of overall quality, came at the very end of the previous decade via Dolemite Is My Name, which was the beginning of the current phase of Murphy’s career. Murphy’s performances weren’t the issue during this period of volatility as much as the projects he chose. And during the 2010s, Murphy’s output slowed substantially as he appeared in the successful-but-nonessential Tower Heist, the long-delayed A Thousand Words (which never should have seen the light of day), and the forgettable Mr. Although Murphy was an anchor of the Shrek franchise and won a Golden Globe for his performance in the studio adaptation of Dreamgirls, he also chose to do massive failures such as The Adventures of Pluto Nash and Meet Dave when he could’ve done anything else. The aughts, however, were decidedly hit-and-miss. He even played the Pharaoh in Michael Jackson’s John Singleton–directed “short film” for “Remember the Time.” And by the end of the decade, Murphy was the face of the Dr. Although he still did comedies like The Nutty Professor and Bowfinger (which featured him in all of his silly, multi-character glory) during the 1990s, a film like Boomerang offered a glimpse of the maturity and polish that Murphy was capable of, all while flexing the power he commanded during the early ’90s. (In between, he recorded a hit single written and produced by Rick James as a heat check.) Moreover, that he reached Hollywood’s apex during that era as a late-20s, Black comedic actor who was notoriously uncompromising is a feat all by itself. He pulled off the most garish leather outfits in the brilliant stand-up special Eddie Murphy: Delirious and the Robert Townsend–directed, feature-length stand-up film Eddie Murphy: Raw. After emerging as the biggest star of Saturday Night Live’s second phase, Murphy became one of the biggest stars of the 1980s on the strength of 48 Hrs., Trading Places, Beverly Hills Cop and Beverly Hills Cop ll, and Coming to America.
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